A photographic series developed during a journey through Greenland, later exhibited at Carlo Cinque Gallery in Milan (May 2026).

Shot from the deck of a moving ship, the work originates from direct observation – drifting among icebergs and witnessing a landscape in transformation. The presence of polar bears on land, rather than ice, becomes an early sign of a shifting equilibrium.

From this experience, the project evolves into a series of digital collages.

Icebergs, symbols of climate fragility, turn into surreal backdrops for suspended, almost unaware human figures, caught in scenes reminiscent of leisure and vacation.

Through a dissonant and poetic use of montage, the work reflects on the contradiction of our contemporary gaze: a tension between aesthetic fascination and environmental urgency.

A visual narrative where beauty and unease coexist.